19. Musical Motif-Space to Creative Field of Inner Hearing
Subject of Study 2 –
Scientifically Studying the Universal Coordinative Development
of Human Creativity within the Universal Coordination of our Ability of Cosmic
Intellectual Understanding with our Inner Cosmic
Hearing Ability
Through the Transition from the Field of Knowledge of the
Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Integrated Synthesis of Idea and Sound
Seminar Series
at the transition of idea and sound from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of idea and voiced consonant from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of idea and unvoiced consonant from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the idea derivation and the formants from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of idea and vowel from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the overtone mechanics of idea and sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the decays of idea and sound from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the attacks of idea and sound from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the aperiodic vibration of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the idea sequence and the vibration sequence of the sound
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the periodic idea chain and the periodic vibration of the
sound from the force-field of the musical motif-space to the force-field of our
hearing
at the transition of the idea derivation and the overtone spectrum of the sound
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of basic idea and basic sound from the force-field of the musical
motif-space to the force-field of our hearing